Photographer michael kenna’s wondrous landscapes

Instant gratification in photography is not something that I need or desire. Football season is upon us I find that the long, slow journey to the final print captivates me far more. Usssa softball tournaments texas I’m attracted to the limitations, imperfections and unpredictability of the silver-based process.


Basketball positions on the court Having worked with these materials and cameras for well over 40 years, both commercially and in my fine art work, I now find it a little out of character to fully embrace the digital medium. Softball pitching mechanics I have experimented a little with it, of course, and the results have been very good. Softball drills It may sound strange to your readers, but I feel there is something about the ease of working which doesn’t quite fit for me. Easy landscaping ideas Easier is not necessarily better. Garden centre near me Maybe it has something to do with those gritty, physical aspects you refer to. Sales pitch meaning Digital is so smooth in comparison.

Of course, the whole photographic process has been made much faster, cleaner and far more accessible to people by digital innovations, which is really great. Everybody now has a camera, often as part of our phone, and most of these cameras require little to no technical training. Arizona softball roster An enormous variety of apps also enable us to take short cuts to finished images. Ncaa baseball scores today We hardly need to even think anymore. Valley irrigation Time is of the essence, particularly if we’re sending images out on social media. Football movies The reality is that the majority of images are only viewed for a few seconds, often on a phone or computer. Evergreen landscaping ideas There are so many images freely available that it takes a lot of will power to concentrate and prolong the gaze on one picture at the expense of the thousands of others waiting to be viewed!

The bottom line is that we all have choices and must make them for ourselves. Natural landscape Most of my work involves slowing down rather than speeding up. Fantasy baseball waiver wire pickups I prefer to look at prints than scans, and I prefer to look at original silver prints rather than digital prints. Spring training 2017 arizona I prefer to look at fewer images, but spend time with those individual images. Basketball games today college There is the distinct possibility that I might have to chance my choice. How to lay stone pavers Over the past 18 months, I have encountered some abysmally defective film, made by different manufacturers and purchased in a number of countries. I have lost a great many potential images as a result. How to build a deck video If the quality of professional materials continues to erode or even dries up, then many of us silver photographers would have to follow the digital tidal wave. It certainly wouldn’t be the end of the world, but in my opinion, having no silver material available would be a huge loss to photography.

The Rouge, Study 52, Dearborn, Michigan, US. Yankees spring training schedule 2016 1994. Front yard Photo: Michael Kenna Your landscapes are unique. Laying a patio Is there a golden rule to making effective, powerful landscape photos?

The golden rule in the arts, as far as I am concerned, is that all rules are meant to be broken. Garden snake eggs There is no one way of photographing anything. Uw softball camps I don’t believe there is even one best way of photographing any given subject. Stamped concrete cost calculator I encourage playfulness and experimentation with both the camera and subject matter. University of arizona softball Sometimes there is an obvious perspective, but it is important never to be satisfied with that. Facebook search by city For me, this is one of the advantages of not using digital, I never know when I have a good photograph! I practice doubt as a way to push myself into alternative compositions by selective focus, different speeds of exposure, and unusual perspectives. Alabama softball schedule It is easy to snap a photograph and walk on to something else. Batting cages nyc I prefer to think of photography as a never ending journey with infinite possibilities. Baseball diamond drawing I love to return to places to re photograph. Baseball games for kids Nothing is ever the same. Landscape definition The options are endless. College football teams by state So what do you take into account when “scouting” these landscapes?

Essentially, I look for what is interesting to me, out there in the three-dimensional world, and translate or interpret so that it becomes visually pleasing in a two-dimensional photographic print. Eephus pitch grip I search for subject matter with visual patterns, interesting abstractions and graphic compositions. Canadian basketball teams nba The essence of the image often involves the basic juxtaposition of our human-made structures with the more fluid and organic elements of the landscape. Absolute pitch test I enjoy places that have mystery and atmosphere, perhaps a patina of age, a suggestion rather than a description, a question or two. Basketball tournament scores I look for memories, traces, evidence of the human interaction with the landscape. Softball team names Sometimes I photograph pure nature, sometimes urban structures. Softball team names funny I know this is all vague and maybe not what you are looking for, but I believe that we photographers don’t benefit very much with answers from other photographers. Fantasy football yahoo What is more beneficial is to ask questions of ourselves and see what thoughts float out from within. Garden planner app free Why photograph in black and white?

We see in colour all the time. Fastpitch softball team names Everything around us is in colour. Paving ideas for front of house Black and white is therefore immediately an interpretation of the world, rather than a copy. What is landscape In the past I have worked as a commercial colour printer and I have also photographed in colour for advertising assignments, so I don’t have anything against colour. How to lay sandstone pavers It is just not my first preference. D fence I have always found black and white photographs to be quieter and more mysterious than those made in colour. Fencing forum For me, the subtlety of black and white inspires the imagination of the individual viewer to complete the picture in the mind’s eye. Garden design tool It doesn’t attempt to compete with the outside world. Lattice multiplication method I believe it is calmer and gentler than colour, and persists longer in our visual memory. Facebook search history public A lot of photographers I speak to often say that good landscape photography is one of the hardest things to get right because of the creative vision behind making a powerful image. Yankee stadium food What would you say to that?

I believe that photographers should be passionate, determined, disciplined and ready to seek out their own styles and identities. Basketball teams in texas I mentioned above that everybody now has a camera, whether it is a professional instrument or just part of a phone. Basketball olympics history Landscape photography is a pastime enjoyed by more and more. Uk basketball game score Getting it right is not an issue. Basketball wives la cast season 5 It is difficult to make a mistake with the sophisticated technology we now have. Fantasy football cheat sheet Making a personal and creative image is a far greater challenge. Basketball finals 2016 To produce a good photograph, of course it helps to be in the right place, at the right time, with the right equipment. Dripping springs tx zip code Many good photographs will be made regardless of whether the photographer has any training or innate vision. Paving block crossword However, there can be no doubt that probability increases with practice. Fortune favours the brave, fortune favours the prepared mind, and fortune favours those who work the hardest. Ncaa basketball final four history What sort of advice would you have for budding landscape photographers?

If I had to give advice to other photographers, I would first suggest quickly getting over the camera equipment questions. Garden ideas for front of house In my humble opinion, the make and format of a camera is ultimately low on the priority scale when it comes to making pictures. High pitch sound effect Craft is important, but cameras for their own sake are not. Pro landscape A sense of aesthetics, a connection with the subject matter, an enquiring and an inquisitive mind, these factors outweigh whatever equipment we use. Baseball teams in florida I don’t think it is even possible to define what a good photograph is, so it is difficult to instruct anybody how to make one. Gardens illustrated subscription Beauty and aesthetics are subjective, and very much in the mind of the beholder. Trellis restaurant menlo park What keeps you driven?

There are many aspects about what and why we photograph: visual pleasure, personal empathy, intellectual stimulation, technical excellence, etc. Basketball olympics winners Serious photographers and artists will try to create works that are original. Softball drills for beginners Over a career period they may develop a singular identity in their images. Asphalt driveway thickness My mentor, Ruth Bernhard would say YES to everything! With that advice in mind I would suggest we don’t get tied down to specific goals but rather allow ourselves to flow along with the current. All baseball teams As a landscape photographer we should be open to possibilities, for one thing often leads to another. Little league baseball scores Lacking any more serious words of wisdom, I would strongly encourage anybody embarking on photography as a career to embrace and enjoy the whole process. Amendola fence Being a photographer can be a wonderful way to experience the world. Baseball pitcher A lot of your work reminds me of classical paintings. Pinch hitter game day Did painting influence your work?

Before studying to become a photographer, I wanted to become a painter. Facebook live chat Living in the UK at the time I quickly realised that I would probably never be in a position to support myself if I embarked on a career in painting, so I switched to photography. Certainly, my vision has been informed by years of studying the history of art, and by many visits to museums and galleries looking at original paintings and sculpture. Spring training 2016 yankees Once I became involved in photography I studied the work of the masters. Dripping springs tx 78620 My first and strongest photographic influences were Eugene Atget, Bill Brandt, Mario Giacomelli and Josef Sudek. Sales pitch deck These photographic giants, and then later when I moved to the US: Ansel Adams, Ruth Bernhard, Harry Callahan and Alfred Steiglitz, have all influenced me greatly. Baseball drills for 9 year olds I suppose they are all romantics at heart, concerned with photographing a feeling as much as documenting external reality. Fantasy football names funny Eugene Atget inspired me to photograph the Le Notre Gardens in and around Paris. Basketball wives la season 5 episode 6 His dedication to photographing Paris all his life taught me that nothing is ever the same. Baseball field positions The same subject matter can be photographed in different ways and in different conditions. Japanese landscape design Bill Brandt took me back to the industrial towns in the north-west of England. Slo pitch ontario He showed me that beauty is very much in the mind of the beholder and because of his influence I later photographed power stations and factory interiors. Pitch diameter His sense of drama, even melodrama, his use of atmosphere, his willingness to completely change reality into an abstract and graphic print, all helped my own vision. Fabric material types He also taught me the value of empty space in an image. Paving expert forum Mario Giacomelli’s sense of powerful two-dimensional black and white abstraction and design also profoundly affected me. Facebook search for people without logging in Here was somebody who would use a thick marking pen to fill in black lines on the photographic print. Facebook live from computer I loved his liberation from the traditional fine art photographic print. Small front porch designs Josef Sudek taught me that light could emanate from within the subject matter rather than only illuminate the exterior. Pavestone play sand His images reminded me of infrared studies. Drip drop taemin mp3 His commitment to photograph only Prague was also instructive. Auburn softball camp With all these photographers I actively searched out places where they had photographed, their camera angles and techniques.

In the US, I began to work with Ruth Bernhard, printing from her negatives in her darkroom. Small garden design ideas I cannot overestimate her influence on both my life and work. Facebook live for android Ruth often said that she regarded her role of teacher to be far more important than her role of photographer. Softball savings As a young photographer trying to navigate in the extremely puzzling world of art galleries, publishers and commercial agents, Ruth was a guiding light. Espn fantasy football draft rankings “Today is the day” was her mantra, and her determination to live in the present, to appreciate every moment, to always say yes to life, has left an indelible impression on me.

I have actively tried to see through the eyes of other artists. Football rankings I have gone to places where these masters have photographed and have consciously emulated their style and subject matter. One advances by standing on the shoulders of giants, but I must repeat what I said earlier, the ultimate goal is to find one’s own vision. Espn fantasy football app My advice to any budding artist is never to be satisfied with imitating others. Frances bean cobain age This is but a means to an end. Baseball america top 100 prospects 2016 A serious artist will work with intensity to discover themselves, their own personal vision. Rawlings I believe this is a fundamental aspect of the creative path.

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